With this film James Mitchell apparently sought to become the “ Cecil B. In the mid-1970s the brothers were coming off BEHIND THE GREEN DOOR (1972), their biggest-ever success, and did what successful auteurs often do: they indulged themselves to the fullest on an ill-conceived and vastly over-expensive (a reported $750,000 was expended, as opposed to the $60,000 spent on BEHIND THE GREEN DOOR) follow-up. biographies X-RATED by David McCumber and BOTTOM FEEDERS by John Hubner, and the Emilio Estevez directed cable TV adaptation of the former), and certainly more so than SODOM AND GOMORRAH: THE LAST SEVEN DAYS The Mitchells’ history is, frankly, much more interesting than their cinematic output (see the well-received Mitchell Bros. A dispatch from the Weird Porno category, worthy of being classified alongside other 1970s adult movie oddities like THROUGH THE LOOKING GLASS and F…AND LOTS OF IT! SODOM AND GOMORRAH: THE LAST SEVEN DAYS hails from 1975, and was made by the notorious porn-meisters James and Artie Mitchell.
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